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Last Saturday I had photography workshop in cooperation with Audico Systems. Theme of the workshop was how to use continuous light sources in portraiture.

I find as main advantage of continuous light sources that you can see light all the time you’re shooting. So what you see through viewfinder will be same in final image.

To be able to see light all the time you’re shooting makes it easier if you compare it to use of flash. But it’s not that simple.

Whether you use flash or continuous light sources you still need to understand about light and lighting. I think you need to understand f.e. how to place and point light sources in relation to subject, how to to decide brightness of light sources (f.e. main light, kicker…), how to control contrast – all these basics of lighting which every photographer has to take care apart from which light sources he/she uses.

And of course you need to understand about rhythm of light and shadow. My favorite subject 😀

Among technical points of view I wanted to demonstrate to participants also about visual and storytelling points when you’re shooting people:

  • differences in methodology: how to shoot people in stable lighting condition (studio) or in location with natural or available light –> in studio photographer builds all lighting and he/she can control it too
  • genre of portrait: commercial, fine art, documentary, personal portrait..
  • visualization: person and props which is linked to person or only person, light and shadow
  • how to guide models in shooting situation
  • how to place model: poses, expressions that support message of image

Large light sources & soft light, small light sources & hard light

In first shooting demonstration I created classic and timeless lighting with soft light. I think everyone who does portraiture should handle this basic lighting.

And it’s easy to start practice; just find nearest window – you’ll get this classic lighting in front of every window. You just have to see it 🙂

I find it important because it’s basic for all people photography. It’s about “seeing light” and create rhythm of light and shadow to image; one rule of thumb which you can later on use wherever you shoot people, whether it’s studio or location.

As main light (1) I used Dedolight Panaura 5 which is a large soft box.
It produces soft light and even though it’s diameter is over 1m it creates 3-dimensionality to model’s face. In this case there were three layers of translucent diffuser between light source and model. And grid which direct light beam.

As fill light (2) I used Dedolight DLEDRAMA-BI.
It was pointing towards walls and ceiling behind camera (about 45 degree angle). This way it circulates via walls and ceiling, and light becomes softer. At the same time it’s “general lighting” which make studio a bit lighter.

As background light (3) I used small Dedolight Tungsten 100 Series -light source.
It has spot and flood position (light beam) and with that feature you can create round gradation in background.

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Time for Christmas Present

21.12.2016 · Tiina


I didn’t send any Christmas cards or bought any presents this year – instead of that I wanted to give time.

Yesterday I worked for the very first time as volunteer in local rest home. I read couple of hours Christmas stories to elderly . I will continue working as volunteer after Christmas, so new stories and activities will follow.

Time – let’s give time to each other this Christmas. Time with Your Special Ones is the most precious time of all.

Merry Christmas to You and Your Family. Cheerful New Year. Let’s spend our time well in 2017 🙂

I participated yesterday FPPA’s Annual Meeting in Helsinki. Finnish Professional Photographers’ Association and Color-Kolmio had invited Photographer Brett Florens to do seminar about his way to work as professional photographer.

Day was interesting and inspiring. I tweeted about Brett’s seminar yesterday, and if you weren’t there, or you want check Brett’s ideas and his way to work, feel free to read my tweets. They’re in reverse order -if you want to read them in chronological order, please, begin from last one 🙂

florens_sav_01florens_sav_02florens_sav_03florens_sav_04florens_sav_05florens_sav_06florens_sav_07florens_sav_08florens_sav_09florens_sav_11 Read more »


Last week I did 45 min lighting and shooting demonstration in Road Show organized by Color-Kolmio and Foka. I wanted to demonstrate how to create 3 different portrait lighting set-ups when one has 3 studio strobes and few light modifiers, and one wonders what kind of light modifiers might be useful for portraits.

That’s why I used strip -soft boxes, honeycomb grids and barn doors in these lighting set-ups, and black fabric all the time 🙂


White background, controlled light – Model can move freely

Idea of first lighting set-up was that model can move freely and change pose without lighting changing that much, kind of fashion lighting set-up.

I lit background (white wall) with two studio strobes which both had umbrella reflectors as light modifier. With these modifiers light beams spread wide enough to lit wall evenly.

I placed main light behind camera and attached strip -soft box to it in vertical position. In this position light beam doesn’t spread that wide and models’ outlines appear darker and form of person looks more three-dimensional in image. Model wore dress made of glossy fabric on purpose, so main light made reflection on it.

Two images below demonstrate clearly what means controlling the light. White wall reflects most of the light which hits on it. Even though model stands as fas as possible from white wall some reflected light may hit accidentally on model, and to lens.

Uncontrolled background light can be seen on first image on model’s cheeks. It hits to lens too, and creates flare. Flare destroys all dark tones and image appears all gray.

Second image shows what happens when you place two frames with black fabric both sides of model to prevent flare. Light doesn’t spread uncontrolled around studio anymore, and black fabric helps models’ outlines to appear darker and that creates illusion of three-dimensional form of person.

Quite big difference, don’t you think. I never begin shoot in studio or in location without enough black material, clamps, frames and stands that I able to create black scrim in the place where it’s needed.



Lighting diagram:

(1) Main light: Elinchrome D-Lite RX 4 + light modifier Phottix stripe 35 x 140 cm (vertical position)

(2) Background light: Elinchrome D-Lite RX 4 + umbrella reflector (16 cm, 90°)

(3) Background light Elinchrome D-Lite RX 4 + umbrella reflector (16 cm, 90°)

(4) Scrim to prevent flare: Lastolite Skylite 1 x 2 m + black fabric

(5) Scrim to prevent flare: Lastolite Skylite 2 x 2 m + black fabric

(6) Background: white wall

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This year it was interesting to visit Photokina, because I’ve asked lately so many times: where photography is heading, what’s in the future? Maybe some answers could be found in Cologne.

Photo Exhibitions

First of all I visited Leica Gallery. I found photo exhibitions this year very different and interesting: lots of different styles, genres and themes.

Mostly I was impressed by pictures of Alex Webb, Fred Mortagne  and Roger Ballen. All of them were very different: Webb’s images were colorful, shot with wide angles on the streets; Mortagne’s images were black and white and graphic and Ballen’s images were combination of photos and other visual elements.

About Light Sources & Light Modifiers

On a second day I wandered around “light hall”, and I found some trends in general:

  • LED -panels, especially flexible panels made of soft materials
  • wi-fi systems
  • portable, battery flash systems

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On the streets of Catalonia

20.05.2016 · Tiina

I was recently on holiday in Barcelona. Between touristic tours with my Dad I had some time to shoot too 🙂 So, some images from streets of Catalonia – colors of Catalonia, sun and spring <3 Loved atmosphere in Barcelona, at all friendly people too 🙂

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Last weekend local camera store JAS Kamerakauppa organized photography workshop for Lifestyle Bloggers in cooperation with Canon: “How to shoot more visual and photographic images for blogs”. At the beginning of the day JAS Kamerakauppa’s owner Juha Saviluoto introduced place for participants.


JAS Kamerakauppa has one speciality which doesn’t exist anywhere else in Finland: they have Vintage store and museum. Naturally Juha introduced them with pride.


There’s “bad spot” in vintage store: section of recycled photography books 🙂 JAS Kamerakauppa has done this section even worse… have coffee machine there and cozy chairs – so you can just sit down, have coffee and check all the books… this time I arrived in Turku previous day, but I didn’t go to JAS Kamerakauppa – official explanation: everything was ready for the workshop,  unofficial: no new books this time…  – last time I just bought too many books… 🙂

In vintage store there are books you don’t find anywhere from Finland – no bookstores, neither libraries. Of course some of them are old, but there are so many things in photography which doesn’t get old – f.e. light is same today and twenty years ago. if you don’t have possibility to visit Turku and vintage store, you can also check books from JAS Online Store.

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I was invited to do photography workshop – Shooting People in Location –  by Camera Club Aboca from Turku. Workshop was held in in Hostel Tuorla, Kaarina.

On Saturday we began  photography workshop in classroom and I demonstrated basics of shooting people in location, and basics of lighting. In first lighting demo I showed how to use window light as main light. We had cloudy day so lighting condition stayed quite the same all the time, and it helped to demonstrate how to place model in relation to window that light creates light and shadow side to model’s face and how her tone values separate enough from background’s tone values.

12961440_1158246187527353_7522385579558603106_oPetteri Mäntysaari (Kappas Valokuvaamo) took some funny images while I was teaching, kind of “horror gallery” how strange faces one does while speaking… I think he didn’t even show me the worst ones… 😀 After lighting demo participants split all over the building to practice and shoot.

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Few nights ago I took my camera and went to streets of Tampere. I wanted to practice street photography because next I was going to participate Canon Photowalk in Helsinki. Themes of photowalk were darkness, lights and shadows.

It was interesting to go out: it was all dark and it was raining. I haven’t been shooting like that for a while. It was time to follow Henri Cartier-Bresson’s footsteps and capture decisive moments 🙂

And what happened next day in Photowalk? It was so great to meet old friends and new people that I didn’t shoot at all… but the others did; you can check images which participants took in Twitter #canonphotowalk

New, and interesting this time was, that we “gathered” next day in Twitter. I feedback, participants followed and commented – Photowalk was this time great mixture of real life and virtual life. Thanks for all 🙂 Once again.

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I saved these images for the darkest time of the year. Light and action in these make me full of energy and happy even though I just see them on screen 🙂 I shot these images for my friend Ulla Pesola who needed them for marketing her business, “Ulla Pesola Method Putkisto – Pilates.

Ulla works in the Central Finland, Muurame so that’s why we shot in that kind places that local people recognize them: Muurame ridge and library. Weather was great both days during photo shoots, and I was able to shoot almost only in available light.

First images were done while Ulla instructed walking lesson, and I was just shooting. And I heard some good tips at the same time, and I’ve been trying practice better walking ever since 🙂 ulla_pesola_method_putkisto-6ulla_pesola_method_putkisto-2ulla_pesola_method_putkisto-11 Read more »